Curriculum Arts, Museology and Curatorship
Second Cycle Degree/Two Year Master in Visual Arts

Empire or Role Models? Championing and Challenging Global Ideals in the Early Modern Iberian Worlds

This symposium investigates works and actions embedded within collective ideals while delving into objects and encounters/clashes that reveal distance and closeness, possession and resistance.

from 19 June 2025 at 10:30 to 20 June 2025 at 12:40

Salone Marescotti, Via Barberia 4, Bologna (Dipartimento delle Arti, Palazzo Marescotti) - In presence event

Organized by Maria Vittoria Spissu (DAR, UNIBO)
Sponsored by Marie Skłodowska-Curie Actions COMCON Project and DAMSLab UNIBO

With the support of the Center for Renaissance Studies – The Newberry Library, Chicago and the Center for Iberian Historical Studies – Saint Louis University


This symposium addresses the issue of global connections by focusing on the circulations of world views, distributed agency, the transformation of models, transcultural/transformative objects, nomadic ideals, utopian objects promising salvation, objects embodying conflicts or aspiring to heal division, weaponized objects, and images visualizing redemption, negotiation or idealized pacification.


It focuses on the globalizing networks that strove toward universal unity and the synergy generated by the imperial colonial system of sovereignty, hegemony, hierarchy, and local authorities. It explores role models, heroes, moralizing values, and normative virtues within Global Catholicism while embracing the rhizomatic/polyphonic reality that resisted controlling and unifying ambitions.


The symposium examines constellations of images and devotional cults, connected histories, the mobilization of knowledge and ideologies, the fabrication of ideas and narratives, and the imposition or contestation of ideals and social emotions within the Habsburg Empire in Europe, the Iberian Americas, Africa, and Asia during the Global Renaissance and the Global Baroque. It considers ideas and objects representative of multiple places and communities, but it also aims to give a voice to images and stories that endeavored to escape such a totalizing perspective. This symposium investigates works and actions embedded within collective ideals while delving into objects and encounters/clashes that reveal distance and closeness, sharing and erasure, possession and resistance.

THURSDAY, JUNE 19, SALONE MARESCOTTI

Welcome & Opening Address

10:40-11:00 Maria Vittoria Spissu, Department of the Arts, University of Bologna

Marian Guerilla, Mines of Hearts, Giant Rhizomes, and Rivers of Idealized Pacification: ‘A Brave New World’

 

Session I: Pioneering ~ Reframing ~ Envisioning

Chair: Lia Markey, Center for Renaissance Studies, The Newberry Library, Chicago

 

11:00-11:20 Alessandra Russo, Columbia University, New York

Ars in a Novus Orbis: Inceptions of a Newly Found Term

 

11:20-11:40 Shannah Rose, Institute of Fine Arts, New York University | American Academy in Rome

Lorenzo Pignoria and the Remediation of Mexican Deities in Early Modern Rome


11:40-12:00 Vanessa A. Portugal, Trinity College Dublin

A Cosmological Model from the New World. Reflections from Saint Augustin in the Tierra Caliente of Michoacán

 

12:00-12:20 Q&A

 

12:30-14:10 Lunch

 

Session II: Performing ~ Unfolding ~ Fabricating

Chair: Alessandra Russo, Columbia University, New York

 

14:20-14:40 Marta Albalá Pelegrín, California Polytechnic State University, Pomona

Empire on Display: Staging Iberian Monarchs in Papal Rome

 

14:40-15:00 Lia Markey, Center for Renaissance Studies, The Newberry Library, Chicago

Urbano Monte’s World Map in Spanish Milan: Materiality, Circularity, and Imagery

 

15:00-15:20 José Joaquín Araneda Riquelme, Università Roma Tre

Colonial Objects on Board! Augustinian Agents and Political Communication from the Andes to Rome and Madrid (1640-1700)

 

15:20-15-40 Q&A

 

15:40-16:00 Break

 

Session III: Championing ~ Enlightening ~ Striving

Chair: Christine Göttler, Universität Bern

 

16:00-16:20 Raphaèle Preisinger, Kunsthistorisches Institut, Universität Zürich

Constructing Missionary Heroism: The Martyrs of Japan in a Transcontinental Perspective

 

16:20-16:40 Antonin Liatard, Université Paris Nanterre

Spotless Mirror and Jesuit Aesthetic Models between Spanish Netherlands and Latin America

 

16:40-17:00 Fernando Loffredo, Stony Brook University, New York

Global Eruptions: New Devotions and the Ecologies of Fear across the Spanish Empire

 

17:00-17:20 Q&A

 

 

FRIDAY, JUNE 20, SALONE MARESCOTTI

Session IV: Melting ~ Refounding ~ Transforming

Chair: Raphaèle Preisinger, Kunsthistorisches Institut, Universität Zürich

 

9:20-9:40 Christine Göttler, Universität Bern

Sites of Conversion: Rubens’s Studio, the Antwerp Mint, and the Spanish Empire 

 

9:40-10:00 Katherine Mills, Harvard University | Kunsthistorische Institut in Florenz

How to Recover from Disaster: Local Stonemasons Rebuild Cuzco in the Aftermath of the 1650 Earthquake

 

10:00-10:20 Francisco Montes González, Universidad de Sevilla

Tempesta en México: Una interpretación iconológica de los enconchados de la Conquista

 

10:20-10:40 Q&A

 

10:40-11:00 Break

 

Session V: Challenging ~ Uprooting ~ Regenerating

Chair: Marta Albalá Pelegrín, California Polytechnic State University, Pomona

 

11:00-11:20 Nicolás Kwiatkowski, Universidad de San Martín – CONICET | Universitat Pompeu Fabra

Elephants, Drugs, Books and the Inquisition. Garcia de Orta, from the Iberian Peninsula to Goa

 

11:20-11:40 Fabien Montcher, Center for Iberian Historical Studies, Saint Louis University

El Arte Nuevo of Natural History: Revealing the Power of ‘Local Nature’

 

11:40-12:00 Javier Patiño Loira, University of California, Los Angeles | I Tatti, The Harvard University Center for Italian Renaissance Studies

A World Without Models: Truffles’ Impossible Families in Early Modern Italy

 

12:00-12:20 Q&A

 

Closing remarks

12:20-12:40 Maria Vittoria Spissu, DAR – UNIBO

 

12:40 Lunch